![]() Unless you're sure the toneholes are absolutely level, and the keycups are perfectly aligned, forget it. Kangaroo pads are nice (I use them) but the hardness of the felt used with them makes them unforgiving to install. But your horn was produced in the era when low baffle, large chamber pieces were the only ones in existence. The only way to tell for sure is by play testing. Some horns are much more forgiving than others with regard to the range of mouthpieces that can be accomodated. ![]() That is much harder to achieve with a smaller chamber and intonation problems can result. The ideal is to have a mouthpiece that can be adjusted so that its interior volume equals the "missing" volume of the cone that would theoretically extend beyond the end of your neck to its vertex. The chabmer size rant is not a load of junk. You do not want to be in a position of being dependent on certain mouthpiece features as a substitute for good technique. ![]() As a general rule, stick with conservative (low baffle, medium to large chamber) mouthpiece designs while you develop as a player.
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